Social Event
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When:
07/28/2010 at 01:15 pm
Where:
Castro Theatre
429 Castro Street
San Francisco California, 94103
United States
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Ingelore
Director: Frank Stiefel
United States, 2009, 40 min., color and black & white
English, German, Sign Language, w/English Subtitles
Northern California Premiere
Guests: Director Frank Stiefel and Ingelore Herz Honigstein in person at the Castro. Sign language interpretation provided.
Festival Screenings
Castro Theatre July 28 1:15 PM
Roda Theatre (Berkeley Rep Theatre) Aug. 04 2:15 PM
Synopsis
Ingelore Herz Honigstein was born in 1924 to Jewish parents in Kuppenheim Germany.
She is deaf. As an expression of their embarrassment over their mute child, her parents ignore her and make no attempt at communication. She is sent to a variety of tutors where she learns the most rudimentary forms of language. At the age of six she says her first word. At the age of twelve she finally constructs a complete sentence. She enters the first grade at the age of 13 and for the first time comes into contact with other deaf children. Her short-lived education is interrupted by Kristalnacht when she is thrown out of school and sent home.
Ingelore offers a unique perspective on the Holocaust. Through her eyes we see the shifts in her classmates and neighbors attitudes. She witnesses her father being taken and then released from Dachau. She is raped by Nazi cadets on the streets of Berlin, negotiates for her life with an unfeeling official at the US Consulate in Stuttgart and finally escapes Germany for the United States where she learns that she is now pregnant as a result of the rape. Her amazing life shapes her into an extraordinary teacher and we learn the power of light over darkness.
Ingelore is more than a biography it is a meditation on freedom both physical and emotional.
The film includes first person interview with Ingelore. She alternates between using her voice and sign language, offering the viewer an opportunity to experience her silent world. Verite footage of her return to the village she left in 1940 is both touching and dramatic. The film also uses a great deal of archival footage and four simple re-creations of her story.
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